{"id":67,"date":"2011-04-12T13:25:20","date_gmt":"2011-04-12T18:25:20","guid":{"rendered":"http:\/\/www.ajaalto.com\/?p=67"},"modified":"2011-05-04T16:01:29","modified_gmt":"2011-05-04T21:01:29","slug":"distraction-a-season","status":"publish","type":"post","link":"http:\/\/www.ajaalto.com\/?p=67","title":{"rendered":"Distraction, a Season"},"content":{"rendered":"<p>Warmth has returned to the Niagara wine belt, and with it comes\u00a0a thousand muse-murdering distractions. How does a writer stay focused on her pages when trilling birds are building nests (<em>ok, maybe they don&#8217;t do this yet, maybe they&#8217;re only dry humping at this point<\/em>), the construction guys are out (<em>hellooooo hard bodies!),<\/em> the untended garden is shaming\u00a0 me with its drab floral corpses\u00a0and exposed clay (<em>o,\u00a0neglected garden, where is thy mantle of mulch?).<\/em> I have the rare urge to clean everything in this house from sinister cellar to little peaked roof, but that has to wait, because my\u00a0Word Count tool&#8211;that tyrant, that bully, that big doody-head&#8211;is informing me that today I have written: 0 words. That can&#8217;t be\u00a0good.<a rel=\"attachment wp-att-190\" href=\"http:\/\/www.ajaalto.com\/?attachment_id=190\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-190\" title=\"1c52\" src=\"http:\/\/www.ajaalto.com\/wp-content\/uploads\/images\/1c52-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" \/><\/a><\/p>\n<p>Since I\u00a0no longer\u00a0believe in writer&#8217;s block (though I have imposed the phrase on my mood in the past) I have been forced to\u00a0learn some strategies to staying on track. If you do believe in the traditional my-muse-is-silent-therefore-I-cannot-create view of writer&#8217;s block, ask yourself if any of these methods might help you command the muse&#8217;s attention. If they wouldn&#8217;t help, perhaps\u00a0giving\u00a0your muse\u00a0a swift backhand might work (<em>unless your muse is an actual person, then stick to wedgies and nipple-twists)<\/em>.<\/p>\n<p><strong>1. Sharpen the Saw (StS).<\/strong> This is something my husband prescribes for burn-out. He&#8217;s not an artist, but he&#8217;s lived with one long enough to know the signs. Where he learned <strong>StS<\/strong>, I know not, but what I do know is this: it works wonders. In the same way that cutting wood with a dull saw fails, writing with a dulled mind also falls short. Perhaps the ease with which you are distracted today is an indication that you simply need an <strong>StS<\/strong> day. Take a walk, read something you&#8217;ve been putting off, watch an old movie, crank some tunes, take a snooze, teach your dog to maul pig carcasses in preparation for the zombie apocalypse, cook something interesting. Wait, did I say snooze? Don&#8217;t do that, that&#8217;s absurd.<\/p>\n<p><strong>2. Refocus the Lens.<\/strong>\u00a0Say you&#8217;re writing an historical\u00a0romance novel\u00a0about moss monsters invading 17th century Earth from\u00a0a rift in reality originating\u00a0in the Paris Catacombs. You might want to consider a good psychiatrist, because that&#8217;s weird. Also: you might want to look up the word &#8220;romance&#8221; as it applies to genre fiction, because you might be in trouble unless those moss monsters are\u00a0dreamy alpha males invading Earth in\u00a0some\u00a0sexy swashbuckling\u00a0fashion (<em>roses and a reach-around? Clearly I know nothing of romance and cannot help you<\/em>). But while you&#8217;re waiting to see\u00a0that shrink\u00a0(<em>hint: don&#8217;t tell him you have\u00a0lurid sex fantasies about little green plant people<\/em>) you might want to <strong>Refocus your Lens<\/strong>\u00a0with research. Surely, there&#8217;s more you can learn about the Paris Catacombs that would make a difference to a subplot?\u00a0No? You&#8217;re an expert? You were born there? <em>In <\/em>the Catacombs? Oh, just conceived. Well, that doesn&#8217;t count.<\/p>\n<p>Try using your thesaurus to make a list of possible\u00a0words you might use to describe moss men (<em>no, moss men would <\/em>not<em> have rippling abs, but they might\u00a0have lichen infecting their bush. Investigate, researcher!). <\/em>While this <strong>Refocus the Lens<\/strong> day might not be writing per se, it&#8217;s\u00a0vital in helping you remember what&#8217;s important (and fun) about your story. Fleshing out details is never a waste of time.<\/p>\n<p><strong>3. Jackknife!<\/strong> This might be my favourite non-writing-day activity; since it&#8217;s fluff writing which probably won&#8217;t be used, the pressure of saying the Right Thing is negated completely, and your creative center can trip happily along, buzzing with some fresh perspectives on a novel that might be starting to feel more like work than fun. Middles have this <em>meh<\/em> effect on me, so\u00a0I use the Jackknife to stir the shit (<em>boy, that didn&#8217;t sound right at all. Please don&#8217;t quote me on that<\/em>).\u00a0The Jackknife involves taking the last thing you wrote, just the end of it, and throwing it in the opposite direction to see what would happen.\u00a0Fold it like a tractor trailer accident on the QEW, spilling characters out of the cab, slicing plot lines like fuel hoses, busting relationships like windshields (<em>enough? Did I hear an &#8220;uncle&#8221;? OK<\/em>), until it&#8217;s all kinds of wrong. Don&#8217;t be afraid: you&#8217;re probably not using it, so it&#8217;s\u00a0fine to mess around. Ask the &#8220;what if&#8221;s. Fiddle with the &#8220;she&#8217;d never do this, but &#8230;&#8221;s. Occasionally,\u00a0Jackknifing leads to surprise developments that can be used\u00a0in your work. More often, it reinforces that you were on the right track all along, and the uncomfortable bend in plot forces your attention back\u00a0to\u00a0your original outline.\u00a0<\/p>\n<p><strong>4.\u00a0Dreamworks.<\/strong> No, not the\u00a0movie production company. I&#8217;m talking about your subconscious, and putting it to work for you overnight. Your moss monster novel (<em>which you&#8217;ve now\u00a0changed to an erotica novel, tentatively entitled &#8220;The Grass is\u00a0Greener&#8221;, you cheeky bugger, you<\/em>) has hit a point where you&#8217;re not sure whether to stick to your original outline, or\u00a0follow an intriguing\u00a0tangent. Or,\u00a0perhaps you had no outline, and you write like I do&#8211;willy nilly and hoping for the best. You have ideas, and options, but commiting to them on paper (or virtual paperspace) is making you feel squinky (<em>Squinky: (adj) altogether icky, as in &#8220;I just saw\u00a0Saw 3D and\u00a0now I feel squinky, please pass the brain bleach.&#8221;<\/em>). Jot down all of the possibles\u00a0just before bed, and put\u00a0them out of your mind.\u00a0Your subconscious will ruminate on the\u00a0problem while you sleep. It&#8217;s like having a little grey writing coach in your skull. Actually, that would be terrifying. How would you get him out? Could you hear him\u00a0up there, whispering plot ideas\u00a0to you? Would his plots become schemes for his escape involving a\u00a0garden claw\u00a0and some pliers? Oh great, now I&#8217;ll <em>never<\/em> sleep tonight &#8230;<\/p>\n<p><strong>5. Read.<\/strong> <strong>Read, read, read.<\/strong> And this time, I mean your own words. Take\u00a0a time-out to\u00a0go over what you&#8217;ve already accomplished. Are there places in the book that really shine? Try to remember how\u00a0it felt to write that. Were your fingers\u00a0flying? Did the words come out before you even knew what you were going to\u00a0type? Are there places in the book\u00a0that fall flat? Can you improve on them today, while you&#8217;re not making strides to add to\u00a0the meat of your novel? Take your\u00a0story somewhere else: a park, a friend&#8217;s house, a coffee shop, to prison, to bed, to the back porch. Read it out loud. Does it\u00a0flow well\u00a0when spoken aloud? Are there phrases over which\u00a0you stammer? Does the dialogue ring true? Do your characters sound distinct from one another? Mark for later those places\u00a0you feel need a boost or a rewrite\u00a0(a<em>nd yes, I do work in hard copy when I do rereads<\/em>.\u00a0<em>This wee author\u00a0loves a nice fresh red pen and some stick-it notes).\u00a0<\/em><\/p>\n<p>I hope this helps\/inspires my writerly\u00a0friends and my readers from blogland. Do you have favourite methods for\u00a0getting around the distractions and doldrums, the stagnations, slumps\u00a0and stallings?\u00a0\u00a0When do you find you have the most trouble writing? Is it seasonal, based on personal commitments, or something else entirely?<\/p>\n<p><em>\u00a0<a rel=\"attachment wp-att-187\" href=\"http:\/\/www.ajaalto.com\/?attachment_id=187\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-thumbnail wp-image-187\" title=\"AJ in NY\" src=\"http:\/\/www.ajaalto.com\/wp-content\/uploads\/images\/106809829_b628453685_m1-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" \/><\/a>(<em>Author&#8217;s note: AJ Aalto is currently seeking\u00a0agent representation\u00a0for <strong>Touched, Book One of the Marnie Baranuik Chronicles, <\/strong>while completing the first draft of her second novel, <strong>Death Rejoices,<\/strong> Book Two of the same. She may also be standing in front of her bathroom mirror, snort-giggling at\u00a0exploratory homemade zombie noises, like all horror writers are wont to do.)<\/em><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>I use the Jackknife to stir the shit. Please don&#8217;t quote me on that &#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[3],"tags":[32,35,36,34,33],"class_list":["post-67","post","type-post","status-publish","format-standard","hentry","category-writing","tag-distractions","tag-jackknife","tag-read","tag-sharpen-the-saw","tag-writers-block"],"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/www.ajaalto.com\/index.php?rest_route=\/wp\/v2\/posts\/67"}],"collection":[{"href":"http:\/\/www.ajaalto.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.ajaalto.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.ajaalto.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.ajaalto.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=67"}],"version-history":[{"count":19,"href":"http:\/\/www.ajaalto.com\/index.php?rest_route=\/wp\/v2\/posts\/67\/revisions"}],"predecessor-version":[{"id":192,"href":"http:\/\/www.ajaalto.com\/index.php?rest_route=\/wp\/v2\/posts\/67\/revisions\/192"}],"wp:attachment":[{"href":"http:\/\/www.ajaalto.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=67"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.ajaalto.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=67"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.ajaalto.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=67"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}